The Glory of Christ: 5 Ways Jesus Proved He’s the Messiah
They told him, “In Bethlehem of Judea, for so it is written by the prophet: “‘And you, O Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who will shepherd my people Israel.’” —Matthew (NKJV). The suspect in the Boulder shooting posted on his Facebook page about Islam, kickboxing and needing a girlfriend.. Authorities on Tuesday identified year-old Ahmad Al Aliwi Alissa, of Arvada.
Neither the pandemic nor age can keep legendary choreographer Twyla Tharp from her work. One was with four dancers — each of whom was in a different time zone.
One dancer was on the West Coast before breakfast. One dancer was in Denmark five hours ahead, and one dancer was in St. Petersburg working through their dinner hour," Tharp says. And that's what dance can give — dance can give community. It's not the first time Tharp has worked in unusual conditions. In the s, Tharp and her company of dancers performed in parks and malls, and on subway platforms and rooftops.
Tharp is known for mixing ballet with other styles of dance: "I had always felt that one dancer how to evaluate business for sale be able to dance across the line," she says. I thought that was ridiculous, because I could be both a ballet dancer and a modern dancer, so shouldn't everybody else be able to do that? I started with music training both in piano and violin and percussion, and the dancing came after the fact.
But on the other hand, my mother was a concert pianist and as a very tiny child baby, I was going to her classes. And so I was always wiggling and then I could crawl and then I could sort of hop. So I've always been dancing to music. I think the first thing was to eliminate the idea of steps or styles — it was to get to fundamentals of movement.
And we were looking for very common, [ordinary] shared modes of movement. By ordinary, I mean not extremely sophisticated in training folks might have, and then how could that be extended and become more challenging for us who had had the advantage of that kind of training.
When I was beginning, I wanted to go back to the very mechanics: You either start on the right side or the left side. You either coordinate in opposition to the forward moving leg or parallel to the forward moving legs. You're either moving forwards or you're moving backwards or laterally, side-to-side. All of these kinds of really engineering questions are [a] kind of launch point, because I didn't want to take what is the biggest region in france for granted.
I wanted to feel as though my fundamentals were sound. Music is much more comfortable for the general public than movement. I how to present a seminar paper say: Take one phrase of movement and put on happy music, [and] the audience thinks it's a happy dance. Put on sad music and they'll think it's a sad dance, and the movement is exactly the same. So I wanted to try to see what the emotional resonance of movement was.
What excited people? What was provocative? What would they register? Not all of those, but many visual questions were asked. And that wouldn't have been possible with music, because music is so overpowering. I think we knew there was a bias in the world of art across the boards, whether it was music, painting, sculpture, literature [or] dance. And we wanted to fortify ourselves in such a way that we could put forth what we thought was our strongest how to fax online to fax machine. And our strongest suit was a lot of technique and a lot of incredible ensemble work, but also strong individual voices.
We all had singular qualities, and that was clearer if we were all women, then had a man been in the group, we would have been the women [and] he would In order to be inclusive, you need to have differentiation. So by having [different dancers who are] tall, short, classically trained, [without] classic training, [a] great athlete — all of these various qualities would redefine and give a three-dimensional quality to the work that obviously is lacking if there is a body type that is featured throughout the ensemble.
One understands that need [for] fungibility in professional companies because if one dancer goes out, they want to be able to put another one in as directly and efficiently as possible and hopefully in the same costume. It's all the bottom line, right? To me, that was not what dancing was about and it still isn't.
I'm a very strong jumper. And I jumped higher, longer than most of the men. So it was like, "OK, guys, let's go. But, you know, men can be very arrogant — we all can.
If they were given the opportunity to work around that bias, many of them would, and gratefully. I mean, you'll see some male dancers in Deuce Coupe I think they were glad to be asked to work in a different way, eventually. It took a little doing, perhaps.
A couple never came around, but that's OK. This last year, with the pandemic and its disruptions in terms of routine, discipline, just ordinary day-to-day activities, the body doesn't know itself at the moment. So I can't tell you what I can ask it to do until I refamiliarize myself. And I'm in the process of doing that.
Whenever I've finished one of these big projects, I'm out of shape, and that's just a given. So I've been in this position before, not at this age, but I know that it is a commitment to get back into shape.
It's not going to happen on its own accord. Lauren Krenzel and Seth Kelley produced and edited this interview for broadcast. I'm Terry Gross.
The pandemic shut down the dance world. But if you want to see some remarkable dancing, check out the new PBS "American Masters" documentary about Twyla Tharp, one of the most celebrated dancers and choreographers of our time. She mixed classical and modern dance to make the first crossover ballet, 'Deuce Coupe. Miss Tharp remains among the very few female choreographers to have had a lasting influence on ballet," unquote.
Inshe became the first choreographer to create a dance for Mikhail Baryshnikov, who had defected to the West from the Soviet Union in Her dance "Push Comes To Shove" required Baryshnikov to draw on his sublime classical technique and to do things that were totally contrary to his ballet training. Tharp's choreography demands incredible flexibility, speed, power and stamina and the ability to perform dances that draw from ballet, modern dance, jazz, tap, vaudeville and everyday movement.
Her work has been performed in every kind of venue, including on Broadway and in movies. As you can see in the documentary, neither the pandemic nor her age - she's 79 - has stopped her from choreographing. With everyone shut in, she choreographed a dance through Zoom with four different dancers at home in four different parts of the world. It is a pleasure to have you. The documentary is amazing, as is your dancing and choreography.
So thank you for being with us. And you studied - when you were a child, you studied ballet. You studied modern dance. I think you took tap lessons. What really inspired you when you were young? What kind of dance did you love the most? And actually, I started with music training, both in piano and violin and percussion. And the dancing came after the fact. But on the other hand, my mother was a concert pianist, and as a very tiny child baby, I was going to her classes. And so I was always, you know, wiggling, and then I could crawl, and then I could sort of hop, so I've always been dancing to music.
But the notion that my mother gave - and I think it is somewhat clear in the documentary - is that you can learn from doing everything. Here's some real lessons, like real keyboard instruction, real ballet classes, real lessons - but everything you can learn from, and you can put it to use. You weren't getting paid. So you and the dancers you worked with danced in the world instead of in a theater. What are some of the public places that you danced in? OK, well, the first concert was in a university.
It was in the art department. It was in an exhibition space. We danced, as is in the film, on a rooftop that we managed to find somewhere. We danced in public spaces - amphitheaters that were, you know, not being used, parks, malls, subway platforms. If it, you know, basically was kind of level, it was fair territory.
We - and how we did it, I'm not quite sure. I wouldn't ask a professional dancer to work on some of the surfaces that we didn't think twice about because very dangerous for sprains, strains, all the rest of it.
But what did we know? So, yeah, uneven territory - that was our proving ground. You said, in the park - when you're dancing in the park, you're injecting yourself into their reality, the reality of the other people in the park. We're just an element in the park, like a bicycle. It's not theatrical, like in a theater, where there's performers on stage and audience in the seats. We merged.
So that was great for you.
About Michael Berry
Apr 06, · Capitol Police officer Officer William "Billy" Evan was killed in the attack while another officer was injured. Revelations, study the signs of end times, study who the beast is, study who the anti-Christ is, study who the false prophet is, and study the created images during those times.". Apr 08, · When "Deuce Coupe" was revived fairly recently, dancers have changed. They now can dance across the line. And you actually can have one dancer who could do either side of the line, could work on point, could hit the deck. That was not possible then. Part of my point had to do with addressing the techniques of dancers. And that has changed.
The suspect in the Boulder shooting posted on his Facebook page about Islam, kickboxing and needing a girlfriend. Authorities on Tuesday identified year-old Ahmad Al Aliwi Alissa , of Arvada, Colorado as the gunman who allegedly opened fire inside the King Soopers supermarket on Monday, killing 10 people including a police officer.
Authorities revealed little about the suspected shooter in Tuesday's news conference, but a Facebook page that appeared to belong to the suspect provided some further details. That page was taken down on Tuesday, shortly after Alissa's name was released by law enforcement. Newsweek reviewed the page before it was removed. A Facebook spokesperson confirmed to Newsweek that it had removed accounts linked to the suspect from Facebook and Instagram under its Dangerous Individuals and Organizations policy.
The spokesperson said it will remove any additional accounts belonging to the suspect or accounts created by others in his name, and that Facebook is in contact with law enforcement about the matter. However, a university spokesman told Newsweek he is not, and has never been, a student at MSU Denver. Alissa studied computer engineering and computer science and is a fan of kickboxing and wrestling, according to a bio and posts on the page.
He also shared a photo that showed him wearing several medals apparently linked to the North American Grappling Association. His page also featured several posts with quotes from the Prophet Muhammad, a key figure in Islam.
And in one post, he indicated that he wanted a girlfriend. The post attracted several comments, including a reply that said: "Inshallah you find your future wife and live a happy life hunny.
Another person responded: "U dont need one. Your young. Make sure you can support yourself so you can support her. Then have a wife. According to his older brother Ali Aliwi Alissa's Facebook page, which was also taken down on Tuesday, his family was originally from Raqqa, Syria. He told The Daily Beast that his family have lived in Colorado for 20 years and are "so sorry" for the victims. He also said that authorities had searched his house after the shooting. He described his brother as "very anti-social" and paranoid, and said he believes he is mentally ill.
Anyone know if I can do anything through the law? During Tuesday's news conference, authorities said Alissa was shot in the leg after engaging in a shootout with police inside the store. He was being treated at a hospital and is expected to be booked into the county jail later in the day. Boulder County District Attorney Michael Dougherty said investigators have not established a motive for the shooting, but believe he was the sole shooter.
Boulder police officer Eric Talley, 51, was confirmed as one of the 10 people killed on Monday evening. Officials released the names of the nine other victims , who range in age from 20 to 65, after their families were notified. Monday's massacre is the seventh mass killing in the U. It comes a week after eight people, six of them Asian women, were killed in three Atlanta area spas.
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